It’s January 2021. I go down to the studio and catch up with my standing figure again.
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Sometimes, you make a piece of work which is the piece you have always being trying to make, what your work is fundamentally about, even though you can’t quite pinpoint what that is.
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‘I Am’ was made when I first moved to the mountains. The black mountains near Hay on Wye.
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The inconceivable but inevitable has happened.
The family, my family, my unit, my security, my strength has decreased.
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I did not know Ed but I made a sculpture of him. When I looked through the lens to photograph the sculpture, I saw him for the first time, and I saw that he was not with us anymore.
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The new steel circle pieces are about support, each circle comes from the other but takes its own journey.
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Firstly, like the majority of my work, it symbolises a love and respect of nature.
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Had the most fantastic afternoon with a Merry Go Round horse and exceedingly good company.
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The writing below I wrote back in May when I was feeling a bit more mental than I am now but it still stands.
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I come from fields of clover
from the north.
From the west of an island
of which we share salt water.
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I have never known the touch of my own child
but I have heard a heartbeat.
I will not hold the fragile yet feisty promise of youth.
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I have for some time wanted to make a pot. I like vessels and am always attracted to still life drawing and paintings that contain volumes.
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My work has to come from me, honestly and directly. There is no room to try and be clever or original, to try and fit in with a world that does not belong to me.
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That night I had a dream that I had a dead robin in my hand and I put a little blanket on it to try and keep it warm.
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