B Y A R D A R T

press release for upcoming show in cambridge….

B Y A R D  A R T14 King’s Parade, Cambridge, CB2 1SJ, UKT: +44 1223 464646  E: info@ byardart.co.uk

TravelNew works by Carol Peace18 September – 26th October
Returning with an exhibition of recent works on show at Byard Art, Cambridge, Carol Peace, sculptor, reignites a connection to the place that helped her be where and who she is today. Carol went to Long Road Sixth Form College on the bus everyday from Shudy Camps, a little village just outside Cambridge.  The art teachers at Long Road went above and beyond to help Carol on her journey to become an artist. One teacher in particular made a conscious and very timely effort to try and get her an interview at Winchester School of Art even though she hadn’t done a foundation course, which you need for art school. The inspiration for starting the Bristol Drawing School (founded by Carol Peace and partner Graham Woodruff) may well have started at college in the ‘fill a sketchbook’ week. “Everyday somewhere new, from a forest in Norfolk to a day in a massive room filled with tremendous plaster casts, those teachers could set a spark.” Carol remembers her time in Cambridge and explains that “One evening a week I would go into King’s College and sit in a tiny room with the chairs stacked up on weird platforms and tables so we could all see to draw the model. I remember one summer night the window being open and drawing away to the sound of singing and the organ from King’s College Chapel. It’s that kind of inspiration that gets under your fingernails, in your blood.”After school with no outlet for expression, Carol metaphorically kicked down the doors of her loving family; all that support, all that love, and threw it right back at them, stole their car and stormed away into a more turbulent side of Cambridge.  “A misunderstanding, a standoff meant I learnt what it is like to have ‘no fixed abode’, you can’t do anything, and you travel in a loop. No job, no money, no home and so no job, and then no money and then no home.”    But although she had ‘no fixed abode’, she had a structure from her family upbringing, her schooling; “the foundations they had laid were in my bones.” And so Carol was able to start her own business in the King Street Run making lunches and Sunday roasts. “I broke the circle of poverty because I was never really there; inside I was rich, educated and inspired.” During the exhibition Carol will be donating 20% from the sale of the piece ‘Bird Bath’ to The Big Issue Foundation. “Sometimes we need a hand to be the best we can be, the Big Issue believes in a ‘hand up and not a hand out’, its about igniting a belief in yourself, sometimes hopefully, it may just need a spark” Throughout the months of September and October you will find a fabulous collection of over 30 sculptures on display at Byard Art, directly opposite King’s College Chapel.There will be an opportunity to meet Carol in the gallery and discuss her collection at the Preview on Thursday, 18 September from 6.30pm–8pm

NOTES TO EDITORS
Exhibition: Travel, new works by Carol PeaceVenue: Byard Art, 14 King’s Parade, Cambridge CB2  1SJ.Dates: 18 September–2 November 2014Opening hours: Monday–Saturday 9.30am–5.30pm; Sunday 11am–5pm. Exhibition preview: Thursday, 18 September 2014, 6.30–8pm. All are welcome.Information: 01223 464646Admission: FreeAccess: Wheelchair access to the main exhibition space at ground floor level.
For further information and images, or to arrange an interview with Carol Peace, please call Jessie White on 01223 464646 or email info@byardart.co.uk

http://www.byardart.co.uk

Broomhill Sculpture Park 2012

Broomhill lies in one of the most glorious valleys in N.Devon, surrounded by hundreds of acres of woodland and bound by its own stream. Established in 1997 by Dutch couple Rinus and Aniet van de Sande, and over the years organically grown into one of the largest permanent collections of contemporary sculpture in the south west of England.

I have work on permanent display at Broomhill, and in 2012 had a dedicated show in the gardens and gallery, see images below.

Me and Thee

text for
An exhibition of Drawings in Colour and Sculpture by Carol Peace

This new body of work has not only been created through clay but also through oil paint, always with an undercurrent of drawing. The oil paint is like the clay, it is slippery, moveable, the image is there and then it’s gone. It’s easy to pile on, scrape off, smudge, and draw in to. I seem to be sculpting like a painter and making drawings in colour.

For my degree thesis I looked at Rodin’s work and the theory of representing movement. I realise now, some 20 years later, that I had asked the wrong question, it’s not about representing or ‘capturing’ movement, it’s about trying to respond to it in an intuitive way. A new piece called Attempting Sirsasana is like a drawing of movement, rough lines and plains form quickly, areas are left blurred, only the essence is there.

The new pieces Him, Her and Them are raw because life is raw. Broken, cracked in places, deep scars run over the work but the deep ruts and scars reveal the form; reveal the life, the frailties and the power. I try to make the marks strong like using charcoal; there are areas of focus and areas that fade.

In the drawings in colour, the subject matter changes from the life room to the still life but in changing the objects I see more clearly my interests. When I draw cherries they are in love, in a painting of tomatoes their shadows nearly touch. Peaches rest their soft flesh on one another for support, which gives over time.  Bright happy lemons jostle with blue shadows. A lone tomato is still attached to its family tree, they are not present and yet always there. In something ordinary there is often sadness and a beauty.

Relationships and our interaction with other people dominate us and in turn form the basis for much of my recent work. The extra ordinariness and magnitude of the simplicity of the touch of a partner, the closeness of love, it’s basic.

The work is about everyday life, in its minutia, the sheer fantasticness of it all. It’s about the flash of a look, a small gesture, the pressure of a hand in yours, of skin resting on skin. It’s about the rawness and confusion of being alive, the beauty and the complications of it, the freedom, exhilaration and the insecurities. It’s about death and about life, the fear and the joy.

This is not to say that all this is apparent in a piece of bronze or a painting of two peaches but it is what I am aiming for and it makes me go to the studio.

Carol Peace
September 2011